America 2049: Why Human Rights Is More Than A Game

IN THE FACEBOOK-BASED GAME “AMERICA 2049,” SOCIAL ACTIVISM-MEETS-’24′, all in the name of building awareness for human rights issues. The creators hope players will see human rights as more than just a game.

The global human rights organization Breakthrough developed the game and populated it with well-known celebs and stars (Victor Garber, Harold Perrineau) who act out the “story”: over 12 weeks, players take on missions dealing with immigration, race, sexual orientation, sex trafficking, religion, labor, and national security.

The nonfiction, issues-related part of the game comes through the involvement of groups who are members of the International Coalition of Sites of Conscience.

Will this social conscience aspect add or detract from the game experience? And can it make a difference in the real world?

Social justice and video games is nothing new, but with the proliferation of social media the idea of games for social impact keeps gaining momentum.

Social justice games have been the subject of a panel at the SXSW Festival. Breakthrough was also in attendance this past weekend at the National Conference for Media Reform panel on fan communities and social change.

And there is always old guard Games For Change, who will host its eighth annual conference this June in New York.

But leveraging the power and prevalence of Facebook with a game is an intriguing idea. There’s certainly potential for Facebook users to raise awareness for a cause.

The subject of human rights is not one that ignites a fire under those people who are more interested in Angry Birds or Call of Duty. Do either of those two games make one think about, say, food insecurity or the effects of war?

The fact is people already use Facebook to bring attention to a cause or issue. We all know Facebook has even been credited with a revolution (see: Egypt). Aren’t those who want to make a social impact already doing so, without the help of a game?

Will a Facebook-tied game make you more aware of an issue if it comes in the form of entertainment? Judge for yourself:

Which Are The Most Corrupt Countries in The World?

WHEN WE HEAR THE WORD CORRUPTION we tend to go with the usual, least trustworthy suspects such as government and police—but how about other institutions, like education or health services? How corrupt are these institutions, and in which countries are they most corrupt?

A global survey by Transparency International revealed that corruption is increasing—what might be surprising is how and why corruption is going up.

According to the poll, one in four people reporting paying bribes in 2009. There’s a tendency to believe that if corruption is happening, it has nothing to do with us personally. But we’d be wrong about our own involvement.

As this graphic shows, the percentage of respondents who paid a bribe was highest in Sub-Saharan Africa, at 56 percent:
© Transparency International

Petty bribery increased the most in Chile, Colombia, Kenya, FYR Macedonia, Nigeria, Poland, Russia, Senegal and Thailand. And bribery was most often an activity of the poor and the young.

The survey also asked respondents who they believed to be the most corrupt. In this category, political parties were the clear “winner” in over two dozen countries:

© Transparency International

You can click through these interactive graphics to get results on individual countries on Transparency International’s Global Corruption Barometer, including more detailed results and true stories of people’s experiences with corruption.

What’s Next for Creative Expression in Iran?

AS PART OF THEIR TRIBUTE TO IMPRISONED FILMMAKER JAFAR PANAHI, The Asia Society is holding a panel discussion about creative expression in Iran and on the director’s work today.

Considering both Panahi’s recent detention, and the sweeping changes taking place in the Middle East, this couldn’t be timelier. Even better, you can take part in the discussion through the free, live webcast.

Panahi was sentenced to six years in prison and forbidden from making films for twenty years. Filmmakers around the world condemned the move and immediately began advocating for Panahi’s freedom.

Activists and ordinary citizens never know if their petitions and protests will bring about positive change. A panel discussion on an imprisoned filmmaker may sound (literally) academic, but adding yet more voices does help.

Panahi and another detained filmmaker, Mohammad Rasoulof, are currently out on bail, awaiting word on their appeal. There’s reports now that the outpouring of support for the filmmakers may be helping their case.

Tune in and participate in the free, live webcast on Wednesday, March 2, from 6:45 to 8:15 pm ET at AsiaSociety.org/Live to learn more and help support these filmmakers.

Read this blog for a wide-ranging blogathon on Iranian film.

One Day On Earth: The Other Crowdsourced Documentary

CAN ALL OF HUMAN EXPERIENCE BE CAPTURED ON VIDEO in one 24-hour period? Last week Sundance featured the splashy premiere of Life in a Day, the crowdsourced, collaborative documentary that aimed to capture everything happening on July 24, 2010. Spearheaded by Kevin MacDonald and Ridley Scott, the film was broadcast live on YouTube and met with rapturous reviews.

But there’s another crowdsourced documentary out there with a little less Hollywood and much more of a social media slant: One Day on Earth.

One Day on Earth also documents a 24 hour period and took place last October, on the numerically auspicious 10.10.10. Unlike Macdonald’s and Scott’s project, One Day on Earth aims to create and support a global community of filmmakers: professional, grassroots, and everything in-between.

The video archive of all the clips submitted are now online.

How A Video App Can Save Imprisoned Filmmakers

White Meadows, dir: Mohammad Rasoulof / ed. Jafar Panahi/

WHITE MEADOWS IS A VIDEO APP CREATED BY FILMMAKERS TO SUPPORT HUMAN RIGHTS and call attention to imprisoned Iranian filmmaker Jafar Panahi. Last month Panahi was sentenced to six years in prison and banned from filmmaking for 20 years.

The app, named for the film directed by Rasoulof and edited by Panahi, is meant as a tool of direct action and free speech: you can record a statement calling for Panahi and Rasoulof’s release, share a comment on human rights in Iran or globally, or share your experience.

The app offers a black screen and voice distortion to protect anyone who might be in danger while exercising their free speech rights.

White Meadows was conceived by Cine Foundation International, a nonprofit film company and human rights NGO founded in December 2010. In addition to the video campaign, CFI will launch a series of six commissioned feature-length films and 20 short films about human rights in support of Panahi and Rasoulof.

Record your own message here. More about Iran’s artists and the Green Movement.

Using Video To Inspire Social Movements

Image from Granito. Director: Pamela Yates

MAKE A FILM, CHANGE THE WORLD? That’s the mission of San Francisco-based Bay Area Video Coalition (BAVC, pronounced “Bay-vac”), a nonprofit media arts center that trains filmmakers to use video storytelling for advocacy and social change.

The group recently received a MacArthur Foundation grant and Award for Creative and Effective Institutions, recognizing organizations that “deal with the hardest problems humanity faces.”

BAVC’s series “The Stream” asks how art and technology—including text messaging, Second Life, mobile games, data and interactive maps—can make an impact in communities around the world. Watch these films now on BAVC’s site:

Always in Season“: Can a virtual world help us heal the legacy of racial violence in America?

Bridge the Gulf“: Who are the real people restoring the Gulf Coast?

Budrus“: How can we use technology to bring peace to the Middle East?

Granito“: Can a film tip the scales of justice in Guatemala?

Hela, Hello“: Can a game create community between Americans and Iraqis?

Power Poetry“: What if kids used cell phones to write poetry?

Revolutionary Optimists“: What if children led the public health campaigns in India?

Finding Sacred Grounds“: Can augmented reality help protect endangered lands?

Follow BAVC on Twitter.

Pakistan: Visualizing the Floods

HOW BIG WAS THE FLOOD ZONE IN PAKISTAN? This visualization, released by UNICEF and developed by If It Were My Home, places the flood zone on top of any city you choose.

This is the flood zone superimposed on the East coast of the United States:

How does the scope of the disaster look on your home town?

Self-Immolation As The Ultimate Political Protest

IT IS USED TO PROTEST WARS, TO CALL ATTENTION TO ABUSE AND INJUSTICE—self-immolation, the burning of one’s own body, may be a desperate act to some, though it is also seen as the ultimate political protest. Self-immolation is credited with galvanizing popular uprisings, as in the case of Mohamed Bouazizi in Tunisia this month.

Now there is news of more self-immolations spreading through the Arab World, with three reported attempts this week. And the practice is not limited to North Africa: two Romanians attempted self-immolation to protest homelessness and poverty.

What does this all mean? In an interview with NPR, Michael Biggs, a sociologist at Oxford University, says a person’s willingness to kill themselves is a powerful public statement, and “the injustice they’re suffering should be taken seriously.”

Related articles:

This piece from Thought Catalog looks back at the photo of Mahayana Buddhist monk Thích Quảng Đức, In Terrifying Color: Vietnamese Buddhist Monk’s 1963 Self-Immolation

Americans who self-immolated as anti-war protest

Afghanistan: When Women Set Themselves on Fire

The Power of Words

WORDS AS TALL AS BUILDINGS: artist Jenny Holzer projects her “truisms” onto surfaces as disparate as corporate headquarters and natural lakes, amplifying the words and making them virtually unavoidable.

Holzer is a social justice-minded artist. In a world dominated by advertising slogans and corporate-controlled media, she uses the “billboard” approach to provoke thought. She’s used everything from poetry to declassified military documents in her site-specific works.

Her latest commission, “For Portland,” was held in December at the Portland Museum of Art. The work celebrated the 10th anniversary of the Nelson Social Justice Fund. For the text, Holzer chose the poetry of Nobel Prize-winning poet Wislawa Szymborska.

Here’s a sample of Szymborska’s poetry, from “The Turn of the Century”:

Already too much has happened
that was not supposed to happen.
What was to come about
has not.

Spring was to be on its way,
and happiness, among other things.

Fear was to leave the mountains and valleys.
The truth was supposed to finish before the lie.
Certain misfortunes
were never to happen again
such as war and hunger and so forth.

Read more of Szymborska’s poetry here. More of Jenny Holzer’s projections, arranged by city, at her official website.

Ten Short Films by Aboriginal Filmmakers

Inspirit dir. by Claudia Manuel

FILM IS A POWERFUL MEDIUM for telling stories, especially for communities and groups that need a voice. It’s always better to be seen and heard. It’s even better when an audience gets to watch your story.

With that goal in mind, the Aboriginal Peoples Television Network (APTN) is highlighting the work of young aboriginal fillmmakers in Canada. “Shortcuts” features ten short films by students from Capilano University’s Indigenous Independent Filmmaking Program (IIDF).

You can view all ten films and then vote for your favorites. The top three vote getters receive a cash award and their films will be featured on APTN February 17th.

Among the films are Hoka Hey by Cowboy Smithx, which takes a comedic look at the fillmmaking process; and Boogie, by Judson Pooyak, about a young man who learns what it means to go with the “groove.”

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